Today is going to be a little different. After a brief “how to worship God with our writing” exercise (song lyrics), I will be mainly exploring a way to take that writing a step further (setting it to pre-existing music).
In the last three posts, I introduced three different ideas to explore for possible song lyrics. Today, I challenge you to implement one of these and write a song, but first it would be a good idea to brush up on meter.
For those of you who have never written lyrics before (and especially for those of you who don’t know anything about music theory), I would suggest sticking to an 220.127.116.11. iambic (common meter), 18.104.22.168. iambic (long meter), or 22.214.171.124. iambic (short meter).
Once you are satisfied with your lyrics, choose a tune from a hymnal you have lying around for the tune. You don’t have a hymnal? Go ask your pastor or music minister, chances are you will walk away with 3 or 4 different hymnals from the boxes and boxes of them your church has in storage.
In the back of the hymnal are several indexes listed the hymns by author, title, tune title, and tune meter (plus or minus one or two other criteria depending on the hymnal). When you finish your lyrics, start looking through the tune meter index to find all of the tunes listed with the meter you chose. Try singing your song to a few familiar and a few unfamiliar tunes (if you can’t read music, type in the hymn name into www.nethymnal.org to listen to a midi version).
It is very important to find a tune that matches the lyrics well. You have a specific feel in mind when writing the lyrics, so you should find a tune that best gets that feel across. One example I like use a lot is Oh the Deep, Deep Love of Jesus. This link takes you to see the lyrics and hear my favorite tune for it: EBENEZER. In 1991, however, the Baptist hymnal decided to change the tune from EBENEZER to HARRIS. In 2008, the Baptist hymnal kept the HARRIS tune.
In my opinion, switching from EBENEZER to HARRIS was a huge travesty. First of all, the lyrics to the song are filled with water imagery, and the rhythm of the tune EBENEZER feels like waves crashing on the shore. The HARRIS tune, however, feels like a pub song. It seems to me that the editors of the 1991 Baptist hymnal wanted to shy away from tunes in minor keys, so this song was given a tune that made it feel more upbeat and “happy”. What it loses, though, with this is change is a proper marriage of tune and text.
When you are selecting your tune, do not think about which tune makes you feel happiest. Think about which tune carries the same message that your lyrics carry. Only then will a song truly work to speak the message it was meant to speak.